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MARZETTE BONAR
CON AIR
Visual/Special Effects
(Tap right picture below to scroll)
Working on a life-sized prop-plane; a Fairchild C-123 Provider, was very different than any job I've had; primarily because of the enormity of the project. Up until then, doing Special Effects and Costume Construction was on a much smaller scale.
We lined sections of the interior with stiff metallic fabric, that we quilted ourselves. Not easy when sewing it to yards and yards of muslin and batting that ran the length of my living room. (Yikes! Keep the kids upstairs!)
It's always wonderful working for David Goldberg, VFX Supervisor. Nominated for VFX HQ Award. http://www.vfxhq.com/1997/conair.html
<--- LQQK at those close ups of the quilted walls. It's my biggest costume yet!
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